edited by Mariko Hori Tanaka, Yoshiki Tajiri and Michiko Tsushima
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York, NY :
Name of Publisher, Distributor, etc.
Rodopi,
Date of Publication, Distribution, etc.
2012
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
244 p. :
Other Physical Details
ill. ;
Dimensions
23 cm
SERIES
Series Title
Faux titre,
Volume Designation
372
ISSN of Series
0167-9392 ;
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index
CONTENTS NOTE
Text of Note
I. Pain as a creative method. "Happily melancholy" : pleasure and pain in early Beckett / Mark Nixon ; Mourning becomes electric : mediating loss in Eh Joe / Graley Herren ; Beckettian pain, in the flesh : singularity, community and "the work" / Garin Dowd ; The body in pain and freedom of the mind : performing Beckett and noh / Mariko Hori Tanaka -- II. Pain in the age of uncertainty. "Frankly now, is there pain?" : Beckett, medicine and the composition of pain / Peter Fifield ; "Strange pain" : archive, trauma and testimony in Samuel Beckett and Christian Boltanski / David Houston Jones ; Everyday life and the pain of existence in Happy days / Yoshiki Tajiri -- III. Pain at the limit of the human. "We have our being in justice" : Samuel Beckett's How it is / Jonathan Boulter ; "That or groan" : paining and de-paining in Beckett / Mary Bryden ; The appearance of the human at the limit of representation : Beckett and pain in the experience of language / Michiko Tsushima
0
PERSONAL NAME USED AS SUBJECT
Beckett, Samuel,1906-1989-- Criticism and interpretation