edited by Mariko Hori Tanaka, Yoshiki Tajiri and Michiko Tsushima
New York, NY :
Rodopi,
2012
244 p. :
ill. ;
23 cm
Faux titre,
372
0167-9392 ;
Includes bibliographical references and index
I. Pain as a creative method. "Happily melancholy" : pleasure and pain in early Beckett / Mark Nixon ; Mourning becomes electric : mediating loss in Eh Joe / Graley Herren ; Beckettian pain, in the flesh : singularity, community and "the work" / Garin Dowd ; The body in pain and freedom of the mind : performing Beckett and noh / Mariko Hori Tanaka -- II. Pain in the age of uncertainty. "Frankly now, is there pain?" : Beckett, medicine and the composition of pain / Peter Fifield ; "Strange pain" : archive, trauma and testimony in Samuel Beckett and Christian Boltanski / David Houston Jones ; Everyday life and the pain of existence in Happy days / Yoshiki Tajiri -- III. Pain at the limit of the human. "We have our being in justice" : Samuel Beckett's How it is / Jonathan Boulter ; "That or groan" : paining and de-paining in Beckett / Mary Bryden ; The appearance of the human at the limit of representation : Beckett and pain in the experience of language / Michiko Tsushima
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Beckett, Samuel,1906-1989-- Criticism and interpretation