Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa
نام ساير پديدآوران
Boum, Aomar
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of California, Los Angeles
تاریخ نشرو بخش و غیره
2019
مشخصات ظاهری
نام خاص و کميت اثر
102
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
کسي که مدرک را اعطا کرده
University of California, Los Angeles
امتياز متن
2019
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
History
موضوع مستند نشده
Music
موضوع مستند نشده
South African Studies
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )