عنوان

Diplomacy, Resistance and Jazz:

Number

TLpq2203396634

.Language of Text, Soundtrack etc

انگلیسی

Title Proper

Diplomacy, Resistance and Jazz:

General Material Designation

[Thesis]

First Statement of Responsibility

Story, Dexter Gordon Bryan

Title Proper by Another Author

Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa

Subsequent Statement of Responsibility

Boum, Aomar

Name of Publisher, Distributor, etc.

University of California, Los Angeles

Date of Publication, Distribution, etc.

2019

Specific Material Designation and Extent of Item

102

Dissertation or thesis details and type of degree

M.A.

Body granting the degree

University of California, Los Angeles

Text preceding or following the note

2019

Text of Note

This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning.

History

Music

South African Studies

Boum, Aomar

Story, Dexter Gordon Bryan

Electronic name

p

[Thesis]

276903

a

Y