Music and theology in nineteenth-century Britain /
نام عام مواد
[Book]
نام نخستين پديدآور
[edited by] Martin V. Clarke
مشخصات ظاهری
نام خاص و کميت اثر
xiv, 262 pages :
ساير جزييات
illustrations, music ;
ابعاد
24 cm
فروست
عنوان فروست
Music in 19th-century Britain
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 237-255) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
The theology of the Victorian hymn tune / Ian Bradley -- 'Meet and right it is to sing' : nineteenth-century hymnals and the reasons for singing / Martin V. Clarke -- Sacred sound for a holy space : dogma, worship and music at solemn mass during the Victorian era, 1829-1903 / T.E. Muir -- 'Thy love ... hath broken every barrier down' : the rhetoric of intimacy in nineteenth-century British and American women's hymns / C. Michael Hawn and June Hadden Hobbs -- Christianity, civilization and music : nineteenth-century British missionaries and the control of Malagasy hymnology / Charles Edward McGuire -- 'Sing a Sankey' : the rise of gospel hymnody in Great Britain / Mel R. Wilhoit -- 'Singin' in the reign' : voice, faith and the Welsh Revival of 1904-1905 / James Deaville and Katherine Stopa -- Beyond the Psalms : the metamorphosis of the anthem text during the nineteenth century / Peter Horton -- From Elijah (1846) to The Kingdom (1906) : music and scripture interacting in the nineteenth-century English oratorio / David Brown -- Confidence and anxiety in Elgar's Dream of Gerontius / Jeremy S. Begbie -- 'Spiritual' selections : Joseph Goddard and the music theology of evolution / Bennett Zon
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period [Publisher description]