عنوان

Composing for the films

زبان متن نوشتاري يا گفتاري و مانند آن

eng

عنوان اصلي

Composing for the films

خط فهرست نويسي و خط اصلي شناسه

This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of cultural studies. These books are seminal works of the finest minds in Western thought, including Adorno, Badiou, Derrida, Heidegger and Larkin. They are works of such power that they changed the cultural mind when they were written and continue to resonate today - landmark texts in the fields of philosophy, literature, popular culture, politics and theology - strikingly designed, accessibly priced.

محل نشرو پخش و غیره

London ; New York

نام ناشر، پخش کننده و غيره

Continuum

تاریخ نشرو بخش و غیره

2007

نام خاص و کميت اثر

xxxvi, 133 p. ; 22 cm.

متن يادداشت

Originally published under Eisler's name alone: New York : Oxford University Press, 1947

متن يادداشت

Includes bibliographical references and index

متن يادداشت

ISBN: 9780826499028

متن يادداشت

Theodor Adorno & Hanns Eisler; with a new introduction by Graham McCann

متن يادداشت

1

عنصر شناسه ای

، Composition )Music(

عنصر شناسه ای

، Motion picture music -- Instruction and study

عنصر شناسه ای

، Musical accompaniment

شماره رده

تاريخ

8981-2691

عنصر شناسه اي

Eisler, Hanns

کد نقش

AU

عنصر شناسه اي

AU Adorno, Theodor

عنصر شناسه اي

AU McCann, Graham

عنصر شناسه اي

TI