Performing Islam through Indonesian popular music, 2002–2007
نام نخستين پديدآور
/ by Dorcinda Celiena Knauth
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of Pittsburgh, United States of America
تاریخ نشرو بخش و غیره
, 2010.
مشخصات ظاهری
نام خاص و کميت اثر
xii, 262p.
ساير جزييات
:Ill, Map.
يادداشت کلی
متن يادداشت
مدخل مرتبط: اندونزی -- هنر و معماری
متن يادداشت
Code E.Dissertation : 189
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Bibliography.
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
A growing body of scholarship examines the diverse and new ways that popular music is used as a vehicle for Islamic discourse in contemporary Indonesian society. This dissertation compares three modern leaders who place their music within their own ideological context through non-musical discourse. K. H. Abdullah Gymnastiar (Aa Gym) is a preacher in Bandung whose music attempts to bring together Arabic traditions and optimistic practical advice; his piece “Jagalah Hati” shares in the theology of the Islamic philosopher Abu Hamid al-Ghazali and represents the “Managemen Qolbu” philosophies of his pesantren Daarut Tauhiid, a center for the nasyid musical style. Ahmad Dhani is a rock musician of the Jakarta band Dewa 19, who refashioned himself as a spiritual leader in order to oppose radicalIslam through Islamic rock music; his songs “Satu” and “Laskar Cinta” clearly reference the philosophies of the Indonesian Sufi saint Syekh Siti Jenar. Emha Ainun Nadjib (Cak Nun) is a writer in Yogyakarta who uses a modern revamping of traditional Javanese music in eclectic and philosophical community gatherings with his gamelan ensemble Kiai Kanjeng; their pieces “Gundul Pacul” and “Ilir-Ilir,” examples of Islamic fusion, are analyzed with reference to Cak Nun’s prose writings “Menyorong Rembulan dan Matahari Berkabut” and “Gundul Pacul, ‘Fooling Around,’ Cengengesan.” This dissertation also describes the work of other Islamic musicians in Indonesia, including Snada, Bimbo, Edcoustic, Ungu, Letto, Gigi, MQ Voice, and The New MQ Voice.The three spiritual leaders use their music to fuel an Islamic revival in Indonesia that can be called Sufi. Their definitions of Sufism vary, but all are attempting to spur a discussion of Islam that is meaningful for Indonesians. By perrforming Islamic music, musicians teach their listeners about their own understandings of the religion and in effect are “performing Islam.” This dissertation explores the musicians’ theosophic associations, their ideas of how their music can be conceived of as both local and universal, and their roles as civic leaders.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Islamic music -- Indonesia
موضوع مستند نشده
Popular music -- Indonesia
موضوع مستند نشده
Singers -- Indonesia -- 21 st century
موضوع مستند نشده
موسیقی اسلامی -- اندونزی
موضوع مستند نشده
موسیقی همه پسند -- اندونزی
موضوع مستند نشده
آوازخوانان اندونزیایی -- قرن ۲۱م
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )