عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLpq2466025748
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
The Underclass Culture Wars:
نام عام مواد
[Thesis]
نام نخستين پديدآور
Mitchell, Trumaine W.
عنوان اصلي به قلم نويسنده ديگر
Underclass Ideology and Neoliberalism in the Era of Gangsta Rap Censorship, 1993-2000
نام ساير پديدآوران
Reed, Toure F.
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Illinois State University
تاریخ نشرو بخش و غیره
2020
مشخصات ظاهری
نام خاص و کميت اثر
103
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.S.
کسي که مدرک را اعطا کرده
Illinois State University
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
My thesis explores the impact of underclass ideology and the budding neoliberal consensus on black censorship efforts against gangsta rap music in the 1990s and early 2000s. While there are a few scholarly works that focus on blacks' involvement in the gangsta rap censorship movement, they fail to provide any serious inquiry into their ideological motivations for pursuing censorship. In an effort to fill this gap, my thesis looks at underclass ideology and neoliberalism in relation to two groups that were active in the gangsta rap censorship movement: black liberals and the Nation of Islam (NOI). I argue that censors took issue with the genre because they saw it as promoting social pathology among African Americans. During the 1990s, crime, violence, broken families, and a host of other social issues had become synonymous with African-American communities in American politics and culture, and black censors felt that limiting black people's access to gangsta rap could ameliorate these issues. Censors felt an urgent need to suppress gangsta rap, as the Clinton administration used the type of black stereotypes promoted in the genre to justify taking a hardline approach to black criminality and cutting off welfare for black families. Like others swept into the orbit of underclass ideology and neoliberalism, black censors shared two widely-held assumptions about African Americans that informed their critiques of the genre: one, that they exhibited pathological behavior; and two, that black social pathologies could be ameliorated by pursuing measures that would curtail antisocial behavior.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American history
موضوع مستند نشده
Social structure
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Mitchell, Trumaine W.
مستند نام اشخاص تاييد نشده
Reed, Toure F.
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
