عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLpq2378066270
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
What Was Left on the Cutting Room Floor:
نام عام مواد
[Thesis]
نام نخستين پديدآور
Eschler-Freudenrich, Cristi A.
عنوان اصلي به قلم نويسنده ديگر
Rhetorical Themes of Race in Oral Roberts' 1956 Crusade Sermons
نام ساير پديدآوران
Keeler, John D
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Regent University
تاریخ نشرو بخش و غیره
2019
مشخصات ظاهری
نام خاص و کميت اثر
279
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Regent University
امتياز متن
2019
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Tent crusades were transformed into sight-and-sound entertainment as evangelicals brought the religious revival experience to television. Oral Roberts was a renowned televangelist who filmed his crusades beginning in 1955, and his ministry's impact has been attributed to the spread of Pentecostalism and rise of the Charismatic movement in the twentieth century. Roberts' first use of television paralleled escalating racial tensions in the United States. Many studies have considered Roberts' theological contributions, and some have documented the evangelist's sensitivities to race including his self-identification as mixed race, both white and Native American. However, little scholarship has examined Roberts' early television ministry. This study's methodology used close textual reading of the evangelist's 1956 crusade sermons from sermon transcripts edited by the ministry's TV and film director. Race is considered through five lenses: biological heritability, cultural identification, social classification, power, and oneness. The study also includes interviews of those who worked in Roberts' ministry from 1955 to 1959. Findings revealed Roberts was speaking directly to race in his tent crusades, but most of his direct responses were edited out for television. Detailed production practices suggest the films were "whitened" for TV, and this is attributed to the influence of broadcast regulations expressed in the TV Code. This study contributes to the historical record for broadcast television, religious television, and race in the earliest days of the modern Civil Rights Movement.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American history
موضوع مستند نشده
Mass communications
موضوع مستند نشده
Religious history
موضوع مستند نشده
Rhetoric
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Eschler-Freudenrich, Cristi A.
مستند نام اشخاص تاييد نشده
Keeler, John D
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
