عنوان

The Women of the Black Arts Movement and the Rise of the Ancestors

شماره

TLpq2307190789

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

The Women of the Black Arts Movement and the Rise of the Ancestors

نام عام مواد

[Thesis]

نام نخستين پديدآور

McMillon, Kim

نام ساير پديدآوران

Hatton, Nigel D

نام ناشر، پخش کننده و غيره

University of California, Merced

تاریخ نشرو بخش و غیره

2019

نام خاص و کميت اثر

191

جزئيات پايان نامه و نوع درجه آن

Ph.D.

کسي که مدرک را اعطا کرده

University of California, Merced

امتياز متن

2019

متن يادداشت

The history and survival of the African American woman has depended on a central narrative described in my dissertation as ancestralness; whereby, the ancestral tools of poetry, art, music, and community allow women to discover their inner mecca beyond the intersectional oppressions of white privilege, patriarchy and colonization. In this dissertation, I argue that ancestralness negates the designation of African Americans as "other" by opening the door to ancestral DNA and an innerness, where art and community are privileged through the awareness and power in blackness. This same knowledge allowed women of the Black Arts Movement to move beyond the liminal space prescribed to the African-American women. My research seeks to deepen and add to a conversation monitored by men who claimed to have the authority to decide who was a part of the Black Arts Movement. The Movement has been framed by historical figures like Amiri Baraka, Larry Neal, Ed Bullins, Thomas Dent, Ishmael Reed, and Askia Toure while relegating women to the back of the literary bus. This gendered and racial invisibility is explored in the writings of Cherise A. Pollard, Toni Morrison, Toni Cade Bambara, bell hooks, Lorraine Hansberry, and women extending themselves beyond the boundaries placed by race. My research represents a nonlinear conversation aimed at creating new scholarship on race, gender, and the power of Black womanhood. This power of Black womanhood was delineated at the Dillard University-Harvard's Hutchins Center Conference in September 2016 where BAM female icons Avotcja, Charlotte "Mama C" O'Neal, Doris Derby, Tarika Lewis and others used their art, poetry, music, and research to acknowledge their ancestralness. My dissertation furthers this discussion through filmed interviews, questionnaires, and open discussions with Amina Baraka, and Doris Derby. These women epitomize communities, culture, historical narratives, and art that if left on the sidelines, similar to the history of Blacks in America, is never told.

موضوع مستند نشده

African American studies

موضوع مستند نشده

Black studies

موضوع مستند نشده

Womens studies

مستند نام اشخاص تاييد نشده

Hatton, Nigel D

مستند نام اشخاص تاييد نشده

McMillon, Kim

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y