عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLets795279
عنوان و نام پديدآور
عنوان اصلي
Investing a studio with meaning :
نام عام مواد
[Thesis]
نام نخستين پديدآور
Lamb, Ben
عنوان اصلي به قلم نويسنده ديگر
the construction of fictional space in British Television drama and the police series of 1955-82
نام ساير پديدآوران
Lacey, Stephen ; McElroy, Ruth ; Williams, Rebecca
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of South Wales
تاریخ نشرو بخش و غیره
2014
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
University of South Wales
امتياز متن
2014
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
British television drama shot in the studio using videotape technology has traditionally been considered to have its own distinctive aesthetic throughout academic studies. The purpose of this study is to test this hypothesis and to explore how representational aesthetics developed for the British television studio from 1955 to 1982. Throughout this era there were a number of different methods of producing television drama in the UK. Practitioners could shoot a drama predominantly in the studio with multiple video cameras, film the majority of their material on location with a single film camera, or use an Outside Broadcast (OB) video system on location. This thesis examines the aesthetic progression of studio-shot drama using video technology and reassesses the notion that it is somehow not authentically televisual on account of its close affinity to theatrical aesthetic practice. In order to achieve this aim this thesis uses the British police series as a genre case study. The thesis examines landmark police series with a methodology that takes into account how the material spaces of production in television studios conditioned the aesthetic forms of programmes. With this understanding of space in mind the close textual analyses of landmark police texts incorporate a semiotic discourse, as used in Theatre Studies, that pays close attention to proxemics, space and performance. This enables the thesis to chart the aesthetic development of studio fiction, explore the plurality of the studio technique and assess the role space itself has in the visual articulation of character and themes. As part of this case study the thesis discerns to what extent, and in what manner, studio-shot fiction engaged with sociological debates surrounding class and gender occurring within British society.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Great Britain
موضوع مستند نشده
Television plays, English
موضوع مستند نشده
Television programs
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Lamb, Ben
نام شخص - ( مسئولیت معنوی درجه دوم )
مستند نام اشخاص تاييد نشده
McElroy, Ruth
مستند نام اشخاص تاييد نشده
Williams, Rebecca
مستند نام اشخاص تاييد نشده
Lacey, Stephen
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
University of South Wales
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
