Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie
نام عام مواد
[Thesis]
نام نخستين پديدآور
Nash, Andrew
نام ساير پديدآوران
Crawford, Robert ; Mallett, Phillip
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of St Andrews
تاریخ نشرو بخش و غیره
1998
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
University of St Andrews
امتياز متن
1998
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This thesis argues that the term Kailyard is not a body of literature or cultural discourse, but a critical concept which has helped to construct controlling parameters for the discussion of literature and culture in Scotland. By offering an in-depth reading of the fiction of J.M. Barrie - the writer who is most usually and misleadingly associated with the term - and by tracing the writing career of Ian Maclaren, I argue for the need to reject the term and the critical assumptions it breeds. The introduction maps the various ways Kailyard has been employed in literary and cultural debates and shows how it promotes a critical approach to Scottish culture which focuses on the way individual writers, texts and images represent Scotland. Chapter 1 considers why this critical concern arose by showing how images of national identity and national literary distinctiveness were validated as the meaning of Scotland throughout the nineteenth century. Chapters 2-5 seek to overturn various assumptions bred by the term Kailyard. Chapter 2 discusses the early fiction of J.M. Barrie in the context of late nineteenth-century regionalism, showing how his work does not aim to depict social reality but is deliberately artificial in design. Chapter 3 discusses late Victorian debates over realism in fiction and shows how Barrie and Maclaren appealed to the reading public because of their treatment of established Victorian ideas of sympathy and the sentimental. Chapter 4 discusses Barrie's four longer novels - the works most constrained by the Kailyard term - and chapter 5 reconsiders the relationship between Maclaren's work and debates over popular culture. Chapter 6 analyses the use of the term Kailyard in twentieth-century Scottish cultural criticism. Discussing the criticism of Hugh MacDiarmid, the writing of literary histories and studies of Scottish film, history and politics, I argue for the need to reject the Kailyard term as a critical concept in the discussion of Scottish culture.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Barrie, J. M. (James Matthew), 1860-1937--Criticism and interpretation
موضوع مستند نشده
English literature--Scottish authors--History and criticism
موضوع مستند نشده
Maclaren, Ian, 1850-1907--Criticism and interpretation
موضوع مستند نشده
PR8623.K2N2
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )