The article discusses Richard Wagner's last music-drama, which today is the traditional Good Friday "opera" in New York, Vienna, and other venues around the globe. I argue that Parsifal utilizes traditional Christian symbols and thereby transforms them, in order to help transform the world of the audience. The first part of the article summarizes the dramatic conflict and analyzes how the work appropriates the Christian symbolism of the Lord's Supper. I also look at Wagner's essay "Religion and Art," which was written during the composition of Parsifal and presents an ethical critique of Christianity in the name of "true religion." The second part of the article presents two assessments of Parsifal, both of which acknowledge its inherent religious symbolism but come to different conclusions regarding its significance (Christian versus atheistic). The third part of the article offers an alternative interpretation and implies trajectories for further research. The article discusses Richard Wagner's last music-drama, which today is the traditional Good Friday "opera" in New York, Vienna, and other venues around the globe. I argue that Parsifal utilizes traditional Christian symbols and thereby transforms them, in order to help transform the world of the audience. The first part of the article summarizes the dramatic conflict and analyzes how the work appropriates the Christian symbolism of the Lord's Supper. I also look at Wagner's essay "Religion and Art," which was written during the composition of Parsifal and presents an ethical critique of Christianity in the name of "true religion." The second part of the article presents two assessments of Parsifal, both of which acknowledge its inherent religious symbolism but come to different conclusions regarding its significance (Christian versus atheistic). The third part of the article offers an alternative interpretation and implies trajectories for further research.
مجموعه
تاريخ نشر
2016
توصيف ظاهري
419-441
عنوان
Religion and the Arts
شماره جلد
20/4
شماره استاندارد بين المللي پياييندها
1568-5292
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
art and redemption
اصطلاح موضوعی
Christian symbolism
اصطلاح موضوعی
cultural history
اصطلاح موضوعی
music and religion
اصطلاح موضوعی
nineteenth century
اصطلاح موضوعی
Richard Wagner
اصطلاح موضوعی
theology and aesthetics
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )