The Artistic Posterity of Joachim of Fiore in Latin America
نام عام مواد
[Article]
نام نخستين پديدآور
Jaime Lara
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Leiden
نام ناشر، پخش کننده و غيره
Brill
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
It has long been recognized that Joachim of Fiore (d. 1202), the Calabrian abbot, prophet, and artist, had a profound effect on the mendicant friars, particularly on the Franciscans and Dominicans who recognized their respective founders in his eschatological prophecies. Both orders made use of Joachim's prognostications in their self-defense and in their world mission, especially when the New World was discovered. Franciscan art in the Andes and Mexico employed Joachimite references, and included the portrait of the Calabrian abbot in paintings depicting a flying Saint Francis of Assisi. There is evidence that native peoples saw and understood this unique New World iconography, with its utopian and apocalyptic messages, within their own cultural constructs and values. The end result suggests that Joachim of Fiore was better known in the Spanish colonial world than in the medieval European world of his own day, and that the visual arts had much to do with this.
مجموعه
تاريخ نشر
2014
توصيف ظاهري
26-60
عنوان
Religion and the Arts
شماره جلد
18/1-2
شماره استاندارد بين المللي پياييندها
1568-5292
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
angelism
اصطلاح موضوعی
apocalypticism
اصطلاح موضوعی
Art History
اصطلاح موضوعی
Comparative Religion & Religious Studies
اصطلاح موضوعی
Francis of Assisi
اصطلاح موضوعی
History
اصطلاح موضوعی
Incas
اصطلاح موضوعی
Joachim of Fiore
اصطلاح موضوعی
mendicant friars
اصطلاح موضوعی
painting
اصطلاح موضوعی
Peru
اصطلاح موضوعی
Religious Studies
اصطلاح موضوعی
sculpture
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