عنوان

The Tiv Typology

شماره

LA120356

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

The Tiv Typology

نام عام مواد

[Article]

نام نخستين پديدآور

Godwin Aondofa Ikyer

محل نشرو پخش و غیره

Leiden

نام ناشر، پخش کننده و غيره

Brill

متن يادداشت

The cultural logic of postmodernity is encrusted with artistic layers and forms of oral art in their new horizons of usage and in their neo-oralities of performance within the pressures of cultural change and continuity arising from contemporary existence. The discursive and performative limits of oral art forms are dismantled due to the surging interface with the new media, such that transitional models and cross-cultural versions of the same artistic product are created. The pressures of urbanization, the mixed bag of hybridization and globalization, postmodern social pressures and values, and the strides made by science and technology have created neo-oralities, new horizons, and fresh or hybrid versions with which to interrogate Tiv oral artistic products in this digital age, opening up endless vistas and possibilities for oral products. This essay examines the new horizons, versions, and neo-oralities as they create synergy and meanings in the various media of technology. Also highlighted are the dismantled boundaries of the discipline and the discursive limits of oral artistic forms within the developmental trajectory of disciplines, artists, societies, and countries. Finally, a theoretical construct is called for to match the new trends, along with an appeal for greater research attention to be paid to this increasingly important interface with the pressures of change as they help shape culture and art forms. The cultural logic of postmodernity is encrusted with artistic layers and forms of oral art in their new horizons of usage and in their neo-oralities of performance within the pressures of cultural change and continuity arising from contemporary existence. The discursive and performative limits of oral art forms are dismantled due to the surging interface with the new media, such that transitional models and cross-cultural versions of the same artistic product are created. The pressures of urbanization, the mixed bag of hybridization and globalization, postmodern social pressures and values, and the strides made by science and technology have created neo-oralities, new horizons, and fresh or hybrid versions with which to interrogate Tiv oral artistic products in this digital age, opening up endless vistas and possibilities for oral products. This essay examines the new horizons, versions, and neo-oralities as they create synergy and meanings in the various media of technology. Also highlighted are the dismantled boundaries of the discipline and the discursive limits of oral artistic forms within the developmental trajectory of disciplines, artists, societies, and countries. Finally, a theoretical construct is called for to match the new trends, along with an appeal for greater research attention to be paid to this increasingly important interface with the pressures of change as they help shape culture and art forms.

تاريخ نشر

2016

توصيف ظاهري

309-334

عنوان

Matatu

شماره جلد

48/2

شماره استاندارد بين المللي پياييندها

1875-7421

اصطلاح موضوعی

digi-orature

اصطلاح موضوعی

new media

اصطلاح موضوعی

North Central Nigeria

اصطلاح موضوعی

oral art forms

اصطلاح موضوعی

technological innovation

اصطلاح موضوعی

Tiv music and film

اصطلاح موضوعی

Tiv people

مستند نام اشخاص تاييد نشده

Godwin Aondofa Ikyer

شماره بازیابی

10.1163/18757421-04802006

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Article]

کد کاربرگه

275578

سطح دسترسي

a

تكميل شده

Y