The virtual addiction of Muslim Hausa youth to Indian films has a long history, which stretched to the first Indian films screen in northern Nigerian cinemas in the 1960s. The cultural convergence between what the Hausa see as representations of Indian cultural behavior - in terms of social mores, dressing, social interaction - all served to create what they perceive as a convergence between Indian 'culure' and Muslim Hausa culture. This paper traces the evolutionary attachment of the Hausa to Indian films and culture. In particular, it traces the various ways through Hausa youth use various devices to adopt, or adapt Indian popoular culture to suit their own re-worked creative pursuits. As a study of transnational fandom, it provides vital insight into how cultural spaces are collapsed, despite spatial and religious spaces.
مجموعه
تاريخ نشر
2017
توصيف ظاهري
103-127
عنوان
African and Asian Studies
شماره جلد
16/1-2
شماره استاندارد بين المللي پياييندها
1569-2108
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
African Studies
اصطلاح موضوعی
Asian Studies
اصطلاح موضوعی
fandom
اصطلاح موضوعی
General
اصطلاح موضوعی
Hausa
اصطلاح موضوعی
Kanywood
اصطلاح موضوعی
Muslim
اصطلاح موضوعی
northern Nigeria
اصطلاح موضوعی
Shah Ruk Khan
اصطلاح موضوعی
Social Sciences
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )