An Appraisal of the Evolution of Western Art Music in Nigeria
نام عام مواد
[Thesis]
نام نخستين پديدآور
Holland, Agatha Onyinye
نام ساير پديدآوران
Koehler, Hope
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
West Virginia University
تاریخ نشرو بخش و غیره
2020
يادداشت کلی
متن يادداشت
87 p.
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
D.M.A.
کسي که مدرک را اعطا کرده
West Virginia University
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Nigeria has greatly evolved as an intercultural society given her history of colonization, the influence of foreign religion (Christianity and Islam, primarily) and the impact of globalization. Africa had her socio-cultural practices and art idioms before these foreign influences. For instance, music existed in everyday Africa as part of culture, religion, vocation, and drama. However, music never existed as an entity on its own. The culture of stage performers and audience never existed. This status quo changed with the introduction of Western art music through Christianity and education by the missionaries; since then, music assumed a bi-cultural status. This research document will highlight key influences on the history of classical music in Nigeria. It will explore some evolutionary impacts and some transitional phases that contributed to the current state of Western art music in Nigeria.
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
African art
اصطلاح موضوعی
Art
اصطلاح موضوعی
Centuries
اصطلاح موضوعی
Classical music
اصطلاح موضوعی
Culture
اصطلاح موضوعی
Education
اصطلاح موضوعی
Native peoples
اصطلاح موضوعی
Postcolonialism
اصطلاح موضوعی
Religion
اصطلاح موضوعی
Statelessness
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )