Haydn's "Farewell" symphony and the idea of classical style :
نام عام مواد
[Book]
ساير اطلاعات عنواني
through-composition and cyclic integration in his instrumental music /
نام نخستين پديدآور
James Webster.
وضعیت ویراست
وضعيت ويراست
1st pbk. ed.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Cambridge University Press,
تاریخ نشرو بخش و غیره
2004.
مشخصات ظاهری
نام خاص و کميت اثر
402 pages :
ساير جزييات
music ;
ابعاد
26 cm.
فروست
عنوان فروست
Cambridge studies in music theory and analysis ;
مشخصه جلد
1
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 375-389) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Part I : The Farewell Symphony. The construction of the whole ; Instability ; Resolution ; The program -- Part II : Cyclic organization in Haydn's instrumental music. Progressive form and the rhetoric of instability ; Integration of the cycle ; Extramusical associations ; Individual compositions -- Historiographical conclusion : Haydn's maturity and "Classical style."
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are "through-composed" in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the "progressive" form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the "Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous "farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of "classical style" which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal [Publisher description].
نام شخص به منزله موضوع
موضوع مستند نشده
Haydn, Joseph,1732-1809., Instrumental music.
موضوع مستند نشده
Haydn, Joseph,1732-1809., Symphonies,H. I, 45,F♯ minor.
عنوان به منزله موضوع
موضوع مستند نشده
Instrumental music (Haydn, Joseph)
موضوع مستند نشده
Symphonies (Haydn, Joseph)
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Classicism in music.
موضوع مستند نشده
Cyclic form (Music)
موضوع مستند نشده
Instrumental music-- 18th century-- History and criticism.
موضوع مستند نشده
Symphony-- 18th century.
موضوع مستند نشده
Classicism in music.
موضوع مستند نشده
Cyclic form (Music)
موضوع مستند نشده
Instrumental music.
موضوع مستند نشده
Symphony.
رده بندی ديویی
شماره
784
.
2/184
ويراست
22
رده بندی کنگره
شماره رده
ML410
.
H4
نشانه اثر
W38
2004
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )