عنوان

Post-pop cinema :

شابک

0313081417

شابک

9780313081415

شابک اشتباه

027599080X

شابک اشتباه

9780275990800

شماره

b745633

عنوان اصلي

Post-pop cinema :

نام عام مواد

[Book]

ساير اطلاعات عنواني

the search for meaning in new American film /

نام نخستين پديدآور

Jesse Fox Mayshark.

محل نشرو پخش و غیره

Westport, Conn. :

نام ناشر، پخش کننده و غيره

Praeger Publishers,

تاریخ نشرو بخش و غیره

2007.

نام خاص و کميت اثر

1 online resource (198 pages) :

ساير جزييات

illustrations

متن يادداشت

Includes bibliographical references (pages 191-194) and index.

متن يادداشت

Richard Linklater -- Todd Haynes -- Paul Thomas Anderson -- David O. Russell -- Wes Anderson -- Charles Kaufman, Spike Jonze, and Michel Gondry -- Fellow travelers: David Fincher, Sofia Coppola, and Richard Kelly -- Conclusion: After the orgy.

بدون عنوان

0

متن يادداشت

Starting in the early 1990s, artists such as Quentin Tarantino, David Foster Wallace, and Kurt Cobain contributed to a swelling cultural tide of pop postmodernism that swept through music, film, literature, and fashion. In cinema in particular, some of the art's most fundamental aspects--stories, characters, and genres, for instance--assumed such a trite and trivialized appearance that only rarely could they take their places on the screen without provoking an inward smirk or a wink from the audience. In horror films, characters knew what was coming next from having already studied the horror genre themselves; in Westerns, new plots developed out of an assortment of old ones; and in action features, few heroes came without a strong hint of the anti-hero as well. Out of this highly self-conscious and world-weary environment, however, a new group of filmmakers began to develop as the decade wore on, with a new set of styles and sensibilities to match. In Post-Pop Cinema author Jesse Fox Mayshark takes us on a film-by-film tour of the works of Wes and P. T. Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O. Russell, and reveals how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film. Wes Anderson's Bottle Rocket (1996) and Paul Thomas Anderson's Boogie Nights (1997) were ultimately about their characters' lives-even though their characters often dealt with highly contrived environments and situations. And soon after Wes Anderson scored his first success, others like David O. Russell (Flirting With Disaster, Three Kings), the screenwriter Charlie Kaufman (who collaborated with Spike Jonze on such projects as Being John Malkovich and Adaptation), Alexander Payne (Election, Sideways), Richard Kelly (Donnie Darko), and Sofia Coppola (Lost in Translation) began to tread their own paths over this same ground. Although these men and women represent a wide range of styles and subject matter, all their films revolve in different ways around the difficulty of establishing and maintaining connections. This theme of connection also runs deeper than the films made: the directors share actors (Mark Wahlberg, Bill Murray, Ben Stiller, Jason Schwartzman), collaborators (the musician Jon Brion) and sometimes even personal connections (Spike Jonze starred in Russell's Three Kings, and was married to Coppola). Together these filmmakers form a loose and distinctly American school of filmmaking, one informed by postmodernism but not in thrall to it, and one that every year becomes more important to the world of cinema both within and beyond the United States. Author Jesse Fox Mayshark has been reviewing these filmmakers from their debut features to the present day. This book represents not only the first prolonged study devoted to several of these very important filmmakers, but also the first effort to chronicle the efforts of this group as a whole.-- From book jacket.

متن يادداشت

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

عنوان

Post-pop cinema.

شماره استاندارد بين المللي کتاب و موسيقي

027599080X

موضوع مستند نشده

Motion picture producers and directors-- United States.

موضوع مستند نشده

Motion pictures-- United States.

موضوع مستند نشده

ART-- Film & Video.

موضوع مستند نشده

Film-- Narrativik-- USA.

موضوع مستند نشده

Film-- USA-- Geschichte 1960-2000.

موضوع مستند نشده

Film-- USA-- Geschichte-- 1990-2006.

موضوع مستند نشده

Film-- USA-- Geschichte 2001 ff.

موضوع مستند نشده

Film.

موضوع مستند نشده

Filmregisseur-- USA-- Geschichte-- 1990-2006.

موضوع مستند نشده

Filmregisseur.

موضوع مستند نشده

Motion picture producers and directors.

موضوع مستند نشده

Motion pictures.

موضوع مستند نشده

Narrativik-- Film-- USA.

موضوع مستند نشده

PERFORMING ARTS-- Film & Video-- Reference.

موضوع مستند نشده

United States.

موضوع مستند نشده

USA, Film, Geschichte, 1990-2006.

موضوع مستند نشده

USA.

بدون عنوان

7

بدون عنوان

7

بدون عنوان

7

موضوع مستند نشده

ART-- 057000

موضوع مستند نشده

PER-- 004040

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Mayshark, Jesse Fox.

تاريخ عمليات

20201204055528.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y