edited by Christiane Schönfeld ; in collaboration with Hermann Rasche.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Rodopi,
تاریخ نشرو بخش و غیره
2007.
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (383 pages) :
ساير جزييات
illustrations
فروست
عنوان فروست
Amsterdamer Beiträge zur neueren Germanistik,
مشخصه جلد
63
شاپا ي ISSN فروست
0304-6257 ;
يادداشت کلی
متن يادداشت
"This volume of essays has grown out of ideas originally presented at the 9th Galway Colloquium on "Literature to FIlm-Film to Literature" ... at the National University of Ireland, Galway, in 2004"--Page [9].
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references.
یادداشتهای مربوط به مندرجات
متن يادداشت
Processes of Transposition German Literature and Film; Table of Contents; List of Contributors; Acknowledgements; Introduction; Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul?; The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O ..." to Christoph; "Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut; Reflections on the Literary Antecedents of Murnau's Tabu; Perceptions of the Self as the Other: Double-Visions in Literature and Film.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The essays collected in this book focus on the multi-faceted relationship between German/Austrian literature and the cinema screen. Scholars from Ireland, Great Britain, Germany, Switzerland, Luxembourg, Portugal, USA and Canada present critical readings of a wide range of transpositions of German-language texts to film, while also considering the impact of cinema on German literature, exploring intertextualities as well as intermedialities. The forum of discussion thus created encompasses cinematic narratives based on Goethe's Faust, Kleist's Marquise of O ..., Kubrick's film version of Schnitzler's Dream Story and Caroline Link's Oscar-winning adaptation of Stefanie Zweig's novel Nowhere in Africa. The wide-ranging analyses of the complex interaction between literature and film presented here focus on literary works by Anna Seghers, Hans-Magnus Enzensberger, Nicola Rhon, Günter Grass, Heinrich Böll, Elfriede Jelinek, Rolf Dieter Brinkmann, Erich Hackl, Thomas Brussig, Sven Regener, Frank Goosen and Robert Schneider, as well as on adaptations by filmmakers such as Friedrich Wilhelm Murnau, Max Mack, Josef von Sternberg, Max W. Kimmich, Fred Zinnemann, Paul Wegener, Alexander Kluge, Volker Schlöndorff, Hansjürgen Pohland, Hendrik Handloegten, Michael Haneke, Christoph Stark, Karin Brandauer, Joseph Vilsmaier, Leander Haußmann and Doris Dörrie.