عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TL3d74332p
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
Open-ended Taiwan history and spirit-oriented cultural politics :
نام عام مواد
[Thesis]
نام نخستين پديدآور
Wei, Ling-Chen
عنوان اصلي به قلم نويسنده ديگر
a study of Cloud Gate's works in the postcolonial and global age
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
UC San Diego
تاریخ نشرو بخش و غیره
2010
یادداشتهای مربوط به پایان نامه ها
کسي که مدرک را اعطا کرده
UC San Diego
امتياز متن
2010
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In light of Mikhail Bakhtin's theory of genre, this thesis examines the stylistic transition of Cloud Gate Dance Theatre's repertoires in terms of Director Lin Hwai-min's narrative and performative strategies from epic-like unification in the 1970s to novel-like liberation in the 1990s. Focusing on the development of Cloud Gate's repertoires in the 1990s, I analyze Cloud Gate's response to socio-political conflicts in Taiwan and cultural tensions on a global scale. Through an analysis of "The Tale of the White Serpent," "Legacy," "Nine Songs," and "Portraits of the Families," I argue that Cloud Gate has utilized different strategies and attitudes to evolves from an entrenched allegiance to the center of Chineseness to an open-minded hybrid of Chinese, Taiwanese, and other cultural elements. Through spiritual- and philosophical- based choreography in "Songs of the Wanders" and "Moon Water," I exemplify Cloud Gate's cultural strategy in a global age: On one hand, Cloud Gate impresses Western audiences, gains worldwide fame, and compensates for Taiwanese anxiety that Taiwan is not recognized as a nation-state internationally. On the other hand, Cloud Gate resists and challenges the view of Western gaze, managing to preserve cultural subjectivity. In the conclusion, I highlight how the ambiguity of movements along with novel-like theatrical design enables the coexistence of different ideologies, and how Cloud Gate's repertoires embody a satisfactory consensus on the representation of Taiwanese culture
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Wei, Ling-Chen
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
UC San Diego
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
