عنوان

From epiphany to familiar :

شماره

TLets809125

عنوان اصلي

From epiphany to familiar :

نام عام مواد

[Thesis]

نام نخستين پديدآور

Lewis, Jonathan Francis Geoffrey

عنوان اصلي به قلم نويسنده ديگر

the life history of the theatregoer

نام ناشر، پخش کننده و غيره

Brunel University

تاریخ نشرو بخش و غیره

2009

جزئيات پايان نامه و نوع درجه آن

Thesis (Ph.D.)

امتياز متن

2009

متن يادداشت

This study sets out to explore the life histories of long-term, regular theatregoers and their motivating factors over time. It follows an interpretive framework and innovates by using reminiscence workshops as the research tool. It argues that reminiscence workshops enable richer, deeper data to be obtained than alternative, interpretive methods such as interviews or focus groups, or quantitative surveys found in previous studies from Baumol & Bowen (1966) to Bunting et al (2008). Data are analysed using a phenomenological approach influenced by Schutz (1967) and the four-part life course model developed by Giele & Elder (1998). The thesis examines key themes emerging from the life histories of thirty-one participants. The findings indicate the importance of a 'theatrical epiphany' which is effective in creating a turning point in an individual's life trajectory. The epiphany occurs if factors such as play, magic, make-believe, religion, and the production's visual impact and relevance, are present. Most individuals experience their theatrical epiphany after encouragement to attend by a 'familiar', a person well-known to them and trusted. The study indicates that many theatregoers are active participants in theatre-making after their epiphany. Their profile suggests a high level of educational achievement, and a career in education. It is suggested that the theatregoer continues to be motivated to attend productions by seeking secondary epiphanies containing similar elements to those found during their original epiphany. In addition, many theatregoers look for intimacy of scale, the 'magic' created by the synthesis of make-believe and nature, and in particular, Shakespeare productions. As theatregoers gain in cultural capital, they themselves become 'familiars' and initiate the young into theatregoing. This thesis suggests that Bourdieu's (1984) theory of distinction can be expanded to include the concept of the 'familiar', and indicates that in contemporary Britain, cultural capital results more from education and play than class background.

مستند نام اشخاص تاييد نشده

Brunel University

مستند نام تنالگان تاييد نشده

Brunel University

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y