Applied Metaphysics: Shifting Blackface Hermeneutics inReal-Life PracticeLegacy andConclusions; Works Cited; Chapter 4: From Allegorical Type andSartorial Satire toMinstrel Dandy Stereotype, Zip Coon, Jim Crow, andBlackface-on-Black Violence; Black Fools andTheir Mirrors: Moralizing Emblems ofVanity intheRise oftheDandy Stereotype; Mirroring theImaginary: Moralizing Exempla forAntebellum America; Delusions ofDemocratic Egalitarianism VersusBlackface-on-Black Violence; Works Cited
متن يادداشت
Chapter 5: Sambo Dialects: Defining National Language Boundaries via Early Representations ofStereotypically Black SpeechRegional, Proto-national, andTransnational Blackface Dialects; Language Lessons: Blackface Dialects andtheCreation of"The King's English"; Baby Talk: TheChild-Like Typology andStereotype; Conclusions; Works Cited; Chapter 6: Blackface inShakespeare: Challenging Racial Allegories ofFolly andSpeech-Cleopatra, Caliban, Othello; Sub-textual Allegories ofFolly andRace inAntony andCleopatra
متن يادداشت
Psychomachia, Speech asRacialized Sign, andthe"White-Souled Ethiope" inOthelloSpeaking Parrot: BeyondManichean Binary andWhite/Black Allegorical Interpretations; Conclusions; Works Cited; Chapter 7: Shakespeare inBlackface: Black Shakespeareans versus Minstrel Burlesques, 1821-1844, or Othello versus Otello; "Shakespeare's Proud Representative[s]": Contexts forReception oftheAfrican Theatre Company; "To Beor Not toBe, Dat Is Him Question": Shakespearean English VersusMinstrel Dialect; Deciphering T.D. Rice's Otello
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"This book traces blackface types from ancient masks of grinning Africans and phallus-bearing Roman fools through to comedic medieval devils, the pan-European black-masked Titivillus and Harlequin, and racial impersonation via stereotypical 'black speech' explored in the Renaissance by Lope de Vega and Shakespeare. Jim Crow and antebellum minstrelsy recycled Old World blackface stereotypes of irrationality, ignorance, pride, and immorality. Drawing upon biblical interpretations and philosophy, comic types from moral allegory originated supposedly modern racial stereotypes. Early blackface traditions thus spread damning race-belief that black people were less rational, hence less moral and less human. Such notions furthered the global Renaissance's intertwined Atlantic slave and sugar trades and early nationalist movements. The latter featured overlapping definitions of race and nation, as well as of purity of blood, language, and religion in opposition to 'Strangers'. Ultimately, Old World beliefs still animate supposed 'biological racism' and so-called 'white nationalism' in the age of Trump."--
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
Springer Nature
شماره انبار
com.springer.onix.9783319780481
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Racism and Early Blackface Comic Traditions.
شماره استاندارد بين المللي کتاب و موسيقي
9783319780474
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Blackface entertainers-- Europe-- History.
موضوع مستند نشده
Racism-- Europe-- History.
موضوع مستند نشده
Theater-- Europe-- History.
موضوع مستند نشده
Blackface entertainers.
موضوع مستند نشده
BODY, MIND & SPIRIT-- Spirituality-- Paganism & Neo-Paganism.
موضوع مستند نشده
Racism.
موضوع مستند نشده
RELIGION-- Antiquities & Archaeology.
موضوع مستند نشده
Theater.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Europe.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
OCC-- 036020
موضوع مستند نشده
REL-- 072000
رده بندی ديویی
شماره
292
.
094
ويراست
23
رده بندی کنگره
شماره رده
PN2570
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )