عنوان

The theatre of imagining :

شابک

3319763032

شابک

9783319763033

شابک اشتباه

3319763024

شابک اشتباه

9783319763026

عنوان اصلي

The theatre of imagining :

نام عام مواد

[Book]

ساير اطلاعات عنواني

a cultural history of imagination in the mind and on the stage /

نام نخستين پديدآور

Ulla Kallenbach.

محل نشرو پخش و غیره

Cham, Switzerland :

نام ناشر، پخش کننده و غيره

Palgrave Macmillan,

تاریخ نشرو بخش و غیره

[2018]

نام خاص و کميت اثر

1 online resource

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Intro; Acknowledgments; A Note on Translations and Citations; Contents; List of Figures; List of Models; Chapter 1: Introduction; Text-Performance-Dramaturgy; The Implied Spectator; Imagination; Physicalization; Approach and Theoretical Positions; Plan of the Present Work; References; Chapter 2: The Mirror and the Messenger; Plato: Imagination and Imitation; Mimesis, Eikasia, Phantasia; "The Creator of the Phantom": Imagination and Imitation; Aristotle: Imagination as an Intermediary Faculty; Poetics and Mimesis; References

متن يادداشت

Asides, Soliloquies and Spectacles: Rebellion and ComplicityAudience Space: Precarious Space; References; Chapter 5: From Mirror to Lamp; Kant: The Productive Imagination; An Aesthetics of the Genius; Coleridge: The Creative Imagination; Imagination Materialized; References; Chapter 6: The Disenchantment of the Idealist Imagination; Aladdin and Peer Gynt; Scandinavian Idealism: Two Versions of the Ideal; Steffens and Oehlenschläger; Heiberg; The Light of the Lamp; The Aesthetic Imagination and the Ideal Imaginative Intuition; A Temple of Art; The Decline of Imagination

متن يادداشت

Chapter 3: Corruption or Perfection? The Precariousness of the Early Modern ImaginationThe Distorting Mirror and the Corrupt Messenger; Corrupt Messenger; Distorting Mirror; The Force of Imagination; Treasonous Imagination; To Hold "The Mirror Up to Nature": Imagination on the Stage; Feigning to Distortion; The Conspiracy of the Spectator; Distortion to Perfection; References; Chapter 4: Macbeth: A Dramaturgy of Deceit; The Dramaturgy of the Stage; "Hover Through the Fog and Filthy Air"; Onstage/Offstage; The Kaleidoscope; The Dynamics of the Stage; Expanded Space: Regicide

متن يادداشت

Imagination as RenegotiationImagination and Psychoanalysis; The Modern Imagination; Time and Space; The Spectator, the Actor and the Imaginary; References; Chapter 9: The Killer: The Interplay of Absence and Presence; The Radiant City; Renegotiating the Stage; Activating Strategies: Modes of Consciousness; Parallels and Antitheses; A Dramaturgy of Distortion: The Grotesque; The Kaleidoscope 2.0; Partial Visibility; Simultaneous and Conflicting Perspectives; The Killer: The Visible and the Invisible; The Spaces of The Killer; References

متن يادداشت

Kierkegaard and the Existentialist ImaginationPhantasts; From Imagination to the Imaginary; References; Chapter 7: A Doll's House: Performing the Cultural Imaginary; Nora, Helmer and the Break with Idealism; Tarantella; Italy in Scandinavian Cultural Life; Tarantellas on Stage; Gioacchino; Nora's Tarantella, Helmer's Tarantella; Tarantism; Costume; The Madonna; Fading Lights: Christmas; Fading Ideals; References; Chapter 8: The Late Modern Reimagining of Imagination; The Intentional Imagination: Imagination as a Mode of Consciousness; Imagination and Perception; Absence as Negation

بدون عنوان

0

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

متن يادداشت

This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare's Macbeth (c.1606); Henrik Ibsen's A Doll's House (1879); and Eugène Ionesco's The Killer (1957).

منبع سفارش / آدرس اشتراک

Springer Nature

شماره انبار

com.springer.onix.9783319763033

عنوان

Theatre of imagining.

شماره استاندارد بين المللي کتاب و موسيقي

9783319763026

موضوع مستند نشده

Creation (Literary, artistic, etc.)

موضوع مستند نشده

Drama-- History and criticism.

موضوع مستند نشده

Imagination.

موضوع مستند نشده

Theater-- Psychological aspects.

موضوع مستند نشده

Creation (Literary, artistic, etc.)

موضوع مستند نشده

Drama.

موضوع مستند نشده

Imagination.

موضوع مستند نشده

PERFORMING ARTS-- Theater-- General.

موضوع مستند نشده

Theater-- Psychological aspects.

موضوع مستند نشده

PER-- 011000

شماره

ويراست

شماره رده

مستند نام اشخاص تاييد نشده

Kallenbach, Ulla

تاريخ عمليات

20200823110830.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y