یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
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Includes bibliographical references and index.
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Intro; Preface; Contents; Notes on Contributors; Chapter 1: Introduction: Theorizing Rock/Historicizing Romanticism; Theorizing Rock as Romanticism by Historicizing Romanticism; Theorizing Post-Punk, Goth, and Metal as Dark Romanticisms; Predecessors and Chapter Summaries; Chapter 2: Empathy for the Devil: The Origins of Mick Jagger's Devil in John Milton's London; The Devil in Civil War, Interregnum, and Restoration England; Milton's Personal Devil; Tell Me, Baby, What's My Name?; "Something so written to aftertimes"45
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"Heart and Soul" or "New Dawn Fades"?: Melancholy and Loss of Self in Unknown Pleasures (1979) and Closer (1980)Chapter 6: "Little crimeworn histories": Nick Cave and the Roots-Raves-Rehab Story of Rock Stardom; Chapter 7: Postcards from Waterloo: Tom Verlaine's Historical Constellations; The History/Media Couplet; First Generation: Television and the Romantic Resistance to Modernity; Second Generation: Post-Waterloo Constellations; Punk Napoleonism; Chapter 8: Manner, Mood, and Message: Bowie, Morrissey, and the Complex Legacy of Frankenstein; Shelley; Bowie; Morrissey; "Where Are We Now?"45
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"We're the Ones Who Made You": Eminem's Attack on Consumer Culture"The Mirror Grows Lips and It Whispers 'Come Nearer'": Eminem's Internal Gothic Odyssey; Chapter 12: "The female is such exquisite hell": The Romantic Agony of My Dying Bride; Chapter 13: Ashes against the Grain: Black Metal and the Grim Rebirth of Romanticism; I; II; III; IV; Bibliography; Discography; Index
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Chapter 3: "Bliss was it in that shirt to be alive": Connecting Romanticism and New Romanticism through DressChapter 4: "Crying like a woman 'cause I'm mad like a man": Chrissie Hynde, Gender, and Romantic Irony; Romantic Themes; Irony and Authenticity; Romantic Irony; Chrissie Hynde and Gender; Romantic Androgyny; Chapter 5: A Northern "Ode on Melancholy"?: The Music of Joy Division; "We Gotta Get Out of This Place"?: Joy Division and 1970s' Manchester; A Portrait of the Artist as a Tragic Poet?: Romanticized Myth-Building in Control (2007)
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Chapter 9: Tales of the Female Lover: The Poetics of Romantic Desire in P.J. Harvey's To Bring You My Love and Is This Desire?Harveyan Gothic and Its Structural Affinities with Romanticism; Harvey's Love Odyssey and the Pleasure in Pain Aesthetic; Desire as Conduit to Sublimity and the Spiritual; Conclusion; Chapter 10: Emocosms: Mind-Forg'd Realities in Emo(tional) Rock Music; "Miseria Cantare" (AFI); Chapter 11: "I possess your soul, your mind, your heart, and your body": External and Internal Gothic Hauntings in Eminem's Relapse
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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.