عنوان

Intersections of contemporary art, anthropology and art history in South Asia :

شابک

3030058522

شابک

9783030058524

شابک اشتباه

3030058514

شابک اشتباه

9783030058517

عنوان اصلي

Intersections of contemporary art, anthropology and art history in South Asia :

نام عام مواد

[Book]

ساير اطلاعات عنواني

decoding visual worlds /

نام نخستين پديدآور

Sasanka Perera, Dev Nath Pathak, editors.

محل نشرو پخش و غیره

Cham, Switzerland :

نام ناشر، پخش کننده و غيره

Palgrave Macmillan,

تاریخ نشرو بخش و غیره

[2019]

نام خاص و کميت اثر

1 online resource (311 pages)

متن يادداشت

Intro; Preface and Acknowledgements; Contents; Notes on Contributors; List of Figures; Chapter 1: Intersections and Implications: When Anthropology, Art Practice, and Art History Converge; Triggers on the Terrain of Thought; Why Convergence?; Polyphonic Intersections and Bearings of the Book; Consequence of Conversation; References; Section I: Contours of Quest: Arts at Crossroad; Chapter 2: Mimicking Anthropologists: Re-Membering a Photo Archive via Pata Paintings, Performative Mimesis, and Photo Performance; I; Seeing the Genre of a Group Photo Anthropologically; II; III

متن يادداشت

Experiencing Alternative Modernity: Localizing the IdiomComplicating the Narrative of Extremism; Beyond the Sanctioned Framework; Conclusion; References; Section III: Art for Public: Individual, Institutions, and Issues; Chapter 9: Transcending and Subverting Boundaries: Understanding the Dynamics of Street Art Scene in Nepal; Sociology of Art: Insights for Understanding the Context of Nepal; Particular Amidst General: The Emergence of Street Art in Nepal; The Personal and the Political: Locating Aesthetics in Street Art; The Local and the Global: The Production and Consumption of Street Arts

متن يادداشت

In Conclusion: The Sovereign and the SubalternReferences; Chapter 7: Toward Blurring the Boundaries in Anthropology: Reading Jamini Roy Today; Introduction; Vocabulary of Art; Western Art, Local Politics, and the Idea of Nationhood; Roy and Academic Realism; Roy and Bengali Traditional Art; Style and Self-consciousness; Anonymity and Recognition; Conclusion; References; Chapter 8: Imposed, Interrupted and Other Identities: Rupture as Opportunity in the Art History of Pakistan; Modernism: Disconnect, Discontent and Disillusionment; Modernism and Socialism: Strange Bedfellows in Art

متن يادداشت

Pushpamala and the Ethnographic Turn in Contemporary Art in India: Fashioning Herself as a Native South Indian Woman via Photo PerformanceReferences; Chapter 3: Reframing the Contexts for Pakistani Contemporary Art; Women Amidst Local and Trans-local; Intruding Art History: From the Liminal to the Mainstream; In Conclusion: Networks, Collectives, and Individuality; References; Chapter 4: 'Art' of Ethnography: Feminist Ethnography and Women Artists in South Asia; Tracing the Path: An Initial Attempt; Navigation Beyond Highs and Lows; How to Traverse This Path? Moving Beyond the 'Fear'

متن يادداشت

Reflections on an Inconclusive ConclusionReferences; Section II: Political and Aesthetic: Explorations of Intersections; Chapter 5: Globalisation and Local Anxieties in the Art of Bangladesh: The Interface of History and the Contemporary; Dilemmas and Inheritance of Art-Politics; Networked Art Practices: Invitations and Impacts; Conclusion Amidst Anxieties; References; Chapter 6: Between Anthropology and History: The Entangled Lives of Jangarh Singh Shyam and Jagdish Swaminathan; Introduction; From Primitivism to Indigenism, and the 'Civil War'; From Forst to the Capital, and a Campfire

بدون عنوان

0

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

بدون عنوان

8

متن يادداشت

Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the "iconophobia" of social sciences.

منبع سفارش / آدرس اشتراک

Springer Nature

شماره انبار

com.springer.onix.9783030058524

عنوان

Intersections of Contemporary Art, Anthropology and Art History in South Asia : Decoding Visual Worlds.

شماره استاندارد بين المللي کتاب و موسيقي

9783030058517

موضوع مستند نشده

Art and anthropology-- South Asia.

موضوع مستند نشده

Art and anthropology.

موضوع مستند نشده

South Asia.

بدون عنوان

7

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Pathak, Dev Nath

مستند نام اشخاص تاييد نشده

Perera, Sasanka

تاريخ عمليات

20200823081916.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y