یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Cover page; Halftitle page; Title page; Copyright page; Contents; Figures; Acknowledgments; Preface; 1 Half a Century of Israeli Identities through Television; Before Television; "Television Aleph" (A), or the Period of Single-Channel Consensus; "Television Beit" (B), or the Period of Channel 2's Dominance; "Television Gimel" (C) or Israeli Post-Television; 2 Bringing Back the Nation: BeTipul 's Male Warrior; Trauma, Zionism, and Masculinity; Dan Halutz and the Trauma of the Victimizer; Menachem Yerushalmi and the Working Through of Trauma.
متن يادداشت
5 Small-Screen Trauma: Seriality and Post-Trauma in Parashat HaShavua and Waltz with BashirShaul the Dreamer; Between Parashat HaShavua and Waltz with Bashir; Second Season, Tenth Episode, Last Scene; 6 "Black Box": Memory, Television, and Ethnicity in Zaguri Imperia; Twenty Years On: Sh'chur and Zaguri; From "Dancers Dancing in the Snow" to "Habibi Diali"; "All But the White Foam": Television and Memory; Conclusion; or What's the Moral of the Story?; 7 The New Normative: Gay Fatherhood on Israeli Television; From Criminals and "Sick People" to Gay Fathers.
متن يادداشت
Normative Gay Parenting on Israeli Broadcast TelevisionIma VeAbbaz (Mom and Dads); 8 Conclusion and Some Observations on Israeli Reality TV; Notes; References; Index.
متن يادداشت
Uri Kahana and the Trauma of Heterosexual Masculinity3 It's Not TV, It's BeTipul: Rethinking "Israeliness"; BeTipul: Text and Context; "BeTipul Is Symbolic of Israeli Society"; "BeTipul Is a Controversial Series"; "BeTipul Is Not Regular Television"; "BeTipul Is Headed by Talented Creators"; "BeTipul Is Psychologically Profound"; Conclusion; or the Text Also Speaks; 4 Bad Television/Good (Post- ) Television: Aging and Masculinity in Nevelot (Eagles); Old Age and the Bad Object; Television as Bad Object; Nevelot as the Good Object.
بدون عنوان
0
بدون عنوان
8
بدون عنوان
8
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Israeli television, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Fauda, Zaguory Empire and In Treatment were bought by international networks, HBO included. Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to address production, reception and technological developments in its accounts. His premise is that the meeting point between social trends within Israeli society (primarily the rise of opposition groups to the hegemony of the Zionist-Jewish-masculine-Ashkenazi ideologies) and major changes in the medium in Israel (which are comparable to international changes that have been titled "post-TV"), led to the creation of television dramas characterized by controversial themes and complex narratives, which present identities in ways never seen before on television or in other Israeli mediums."--Bloomsbury Publishing.
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Television drama in Israel.
شماره استاندارد بين المللي کتاب و موسيقي
9781501328930
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Identity (Psychology) and mass media-- Israel.
موضوع مستند نشده
Television series-- Israel-- History and criticism.
موضوع مستند نشده
Identity (Psychology) and mass media.
موضوع مستند نشده
Media studies.
موضوع مستند نشده
PERFORMING ARTS-- Reference.
موضوع مستند نشده
Television series.
موضوع مستند نشده
TV & society.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Israel.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
PER-- 009000
رده بندی ديویی
شماره
791
.
457509569
ويراست
23
رده بندی کنگره
شماره رده
PN1992
.
3
.
I75
نشانه اثر
H37
2017
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )