عنوان

Repetition in music :

شابک

1315088886

شابک

1351551442

شابک

9781315088884

شابک

9781351551441

شابک اشتباه

9780754635734

عنوان اصلي

Repetition in music :

نام عام مواد

[Book]

ساير اطلاعات عنواني

theoretical and metatheoretical perspectives /

نام نخستين پديدآور

Adam Ockelford.

محل نشرو پخش و غیره

Abingdon, Oxon :

نام ناشر، پخش کننده و غيره

Routledge,

تاریخ نشرو بخش و غیره

2016.

نام خاص و کميت اثر

1 online resource :

ساير جزييات

illustrations

عنوان فروست

Royal Musical Association monographs ;

مشخصه جلد

no. 13

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Chapter 1 Introduction -- chapter 2 Theory -- chapter 3 Analysis -- chapter 4 Metatheory and Meta-analysis -- chapter 5 Cognition and Metacognition -- chapter 6 Conclusion.

بدون عنوان

0

متن يادداشت

"This monograph examines the place of repetition in perceived musical structure and in theories of music. Following a preface and introduction, there are four main chapters: 'Theory', 'Analysis', 'Metatheory and Meta-analysis', and 'Cognition and Metacognition'. Chapter 2 (Theory) sets out the principles underlying the creation and cognition of musical structure developed by the author in earlier studies, in the dual context of David Lewin's mathematically based theory of musical intervals and transformations and Gilles Fauconnier's concept of mental spaces (which was formulated in the context of cognitive science). Chapter 3 (Analysis) shows the theory in operation in relation to the first movement of Mozart's piano sonata K.333. It indicates how structural issues may be related to considerations of aesthetic response and musical 'worth' through comparison with J.C. Bach's Sonata op. 5 no. 3. Chapter 4 (Metatheory and Meta-analysis) uses the new theory to interrogate the propositions underpinning set theory and transformations, offering a psychomusicological critique and potential development of, for example, the work of Forte, Morris, Isaacson and Straus. This enables issues raised earlier in relation to the work of Lewin to be addressed. In conclusion, in Chapter 5 (Cognition and Metacognition), the matter of cognitive preferences and constraints is considered in relation to repetition in music, which permits a final investigation of different approaches to musical analysis to be undertaken. In summary, by synthesising the findings of diverse earlier work in the context of the new theory, it proves possible to move thinking forward on a number of fronts, and to indicate potential directions for future empirical and analytical developments."--Provided by publisher.

شماره استاندارد بين المللي کتاب و موسيقي

9780754635734

موضوع مستند نشده

Musical analysis.

موضوع مستند نشده

Repetition in music.

موضوع مستند نشده

MUSIC-- Instruction & Study-- Theory.

موضوع مستند نشده

Musical analysis.

موضوع مستند نشده

Repetition in music.

موضوع مستند نشده

MUS-- 041000

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Ockelford, Adam,1959-

تاريخ عمليات

20200822170639.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y