Changing narratives of minority peoples' identities in Welsh and Basque film
نام عام مواد
[Thesis]
نام نخستين پديدآور
Jones, Elizabeth Dilys
نام ساير پديدآوران
Shail, Robert ; de Pablo, SantiagoJones, Elizabeth DilysShail, Robert ; de Pablo, Santiago
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of Wales Trinity Saint David
تاریخ نشرو بخش و غیره
2013
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Thesis (Ph.D.)
امتياز متن
2013
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This thesis discusses how changing narratives of Welsh and Basque identity have been represented in film. It builds on Higson's (1989) notion of 'heritage film', and ideas derived from postcolonial theory to develop a threefold system of classification. It develops an argument that narratives of identity have shifted from long-standing 'traditional' essentialist versions centred on heteropatriarchy and collective, stable narratives of identity; through a transitional stage featuring the reversal of dualisms on which the 'traditional' is grounded and narratives based much more on the individual and connected to a crisis in masculinity; to a stage that transcends these dualisms through featuring ambiguous narratives of multiple selves and characters caught between fractured selves and global currents. Films are thus classified according to the degree that they may preserve, reverse or transcend traditional narratives of identities. Analysis focuses on elements such as the representation of minority nationhood, rural and urban landscapes, character, religion, gendered familial and social roles, aspects of community, cultural heritage, resistance and stories about sameness and difference, continuity and discontinuity, charting how these alter to shape new narratives of identities. It describes how films over the period from the 1930s to the present document the impact of politics and wider social changes and trends on Basque and Welsh peoples, for instance the impacts of Thatcherism and in the case of the Basques, the Civil War, Franco's regime and post Franco democracy. This threefold system of classification is used to structure the chapters of this thesis. By comparing and contrasting Welsh and Basque films, this thesis identifies common themes that may be evident in film narratives of other minority peoples' cultures and identities.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )