The appearance of print in eighteenth-century fiction /
نام عام مواد
[Book]
نام نخستين پديدآور
Christopher Flint
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Cambridge University Press,
تاریخ نشرو بخش و غیره
2011
مشخصات ظاهری
نام خاص و کميت اثر
xi, 282 p. :
ساير جزييات
ill. ;
ابعاد
24 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. 255-273) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction: prose fiction and print culture in eighteenth-century Britain -- Part I. Author, Book, Reader. 1. Pre-scripts: the contexts of literary production -- 2. Post scripts: the fate of the page in Charles Gildon's epistolary fiction -- Part II. Reader, Book, Author. 3. Dark matters: printers' ornaments and the substitutions of text -- 4. Inanimate fiction: circulating stories in object narratives -- 5. Only a female pen: women writers and fictions of the page -- 6. After words -- Notes -- Bibliography -- Index
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre"--
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Authors and publishers-- Great Britain-- History-- 18th century
موضوع مستند نشده
Authors and readers-- Great Britain-- History-- 18th century
موضوع مستند نشده
Books and reading-- Great Britain-- History-- 18th century
موضوع مستند نشده
Books-- Great Britain-- History-- 18th century
موضوع مستند نشده
English fiction-- 18th century-- History and criticism
موضوع مستند نشده
Fiction-- Appreciation-- Great Britain-- History-- 18th century
موضوع مستند نشده
Fiction-- Publishing-- Great Britain-- History-- 18th century
موضوع مستند نشده
Printing-- Great Britain-- History-- 18th century
موضوع مستند نشده
Publishers and publishing-- Great Britain-- History-- 18th century
رده بندی ديویی
شماره
823/
.
509
ويراست
23
رده بندی کنگره
شماره رده
PR858
.
P78
نشانه اثر
F58
2011
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )