یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references
یادداشتهای مربوط به مندرجات
متن يادداشت
1. The Emancipated Spectator -- 2. The Misadventures of Critical Thought -- 3. Aesthetic Separation, Aesthetic Community -- 4. The Intolerable Image -- 5. The Pensive Image
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Aesthetics
موضوع مستند نشده
Art appreciation-- Philosophy
موضوع مستند نشده
Arts audiences-- Psychology
موضوع مستند نشده
Image (Philosophy)
موضوع مستند نشده
Representation (Philosophy)
رده بندی ديویی
شماره
700
.
1
ويراست
22
رده بندی کنگره
شماره رده
NX220
نشانه اثر
.
R3613
2009
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )