یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Playhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities"--
متن يادداشت
"The Shakespearean Stage Space How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities"--
نام شخص به منزله موضوع
موضوع مستند نشده
Shakespeare, William,1564-1616-- Stage history-- England-- London
موضوع مستند نشده
Shakespeare, William,1564-1616-- Stage history-- To 1625
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
English drama-- 17th century-- History and criticism
موضوع مستند نشده
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism
موضوع مستند نشده
Theater-- England-- London-- History-- 16th century
موضوع مستند نشده
Theater-- England-- London-- History-- 17th century
موضوع مستند نشده
Theaters-- Stage-setting and scenery-- England-- History-- 16th century
موضوع مستند نشده
Theaters-- Stage-setting and scenery-- England-- History-- 17th century
رده بندی ديویی
شماره
792
.
0942/09031
ويراست
23
رده بندی کنگره
شماره رده
PR3095
نشانه اثر
.
I28
2013
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )