یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. 186-198) and index
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the increasing separation of art from a society undergoing a second industrial revolution. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. As a kind of parodic avantgarde, it therefore allowed the reactionaries to be both 'primitive' and 'modern' at the same time. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers new insights into the relation between modernist aesthetics, technology and avant-gardism."--Jacket
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American literature-- 20th century-- History and criticism
موضوع مستند نشده
English literature-- 20th century-- History and criticism
موضوع مستند نشده
Fascism in literature
موضوع مستند نشده
Literature and society-- English-speaking countries-- History-- 20th century
موضوع مستند نشده
Modernism (Literature)-- English-speaking countries
موضوع مستند نشده
Politics and literature-- English-speaking countries-- History-- 20th century
رده بندی ديویی
شماره
820
.
9/00912
ويراست
21
رده بندی کنگره
شماره رده
PR478
.
P64
نشانه اثر
F47
2001
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )