عنوان

Where film meets philosophy :

شابک

0231161328 (cloth : alk. paper)

شابک

0231161336 (pbk. : alk. paper)

شابک

023153082X (ebook)

شابک

9780231161329 (cloth : alk. paper)

شابک

9780231161336 (pbk. : alk. paper)

شابک

9780231530828 (ebook)

شماره

dltt

عنوان اصلي

Where film meets philosophy :

نام عام مواد

[Book]

ساير اطلاعات عنواني

Godard, Resnais, and experiments in cinematic thinking /

نام نخستين پديدآور

Hunter Vaughan.

نام خاص و کميت اثر

x, 244 pages :

ساير جزييات

illustrations ;

ابعاد

23 cm.

عنوان فروست

Film and culture.

متن يادداشت

Includes bibliographical references and index.

متن يادداشت

Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead.

بدون عنوان

0

متن يادداشت

"Hunter Vaughan interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles Deleuze's image-philosophy, Vaughan applies a rich theoretical framework to a comparative analysis of Jean-Luc Godard's films, which critique the audio-visual illusion of empirical observation (objectivity), and the cinema of Alain Resnais, in which the sound-image generates innovative portrayals of individual experience (subjectivity). Both filmmakers radically upend conventional film practices and challenge philosophical traditions to alter our understanding of the self, the world, and the relationship between the two. Films discussed in detail include Godard's Vivre sa vie (1962), Contempt (1963), and 2 or 3 Things I Know About Her (1967); and Resnais's Hiroshima, mon amour (1959), Last Year at Marienbad (1961), and The War Is Over (1966). Situating the formative works of these filmmakers within a broader philosophical context, Vaughan pioneers a phenomenological film semiotics linking two disparate methodologies to the mirrored achievements of two seemingly irreconcilable artists."--Publisher's website.

موضوع مستند نشده

Godard, Jean-Luc,1930-Criticism and interpretation.

موضوع مستند نشده

Resnais, Alain,1922-2014-- Criticism and interpretation.

موضوع مستند نشده

Motion pictures-- Philosophy.

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Vaughan, Hunter

تاريخ عمليات

20130328060546.0

قواعد فهرست نويسي ( بخش توصيفي )

rda

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y