intimate vision in late eighteenth-century eye miniatures /
نام نخستين پديدآور
Hanneke Grootenboer
مشخصات ظاهری
نام خاص و کميت اثر
xvii, 223 pages :
ساير جزييات
illustrations ;
ابعاد
27 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 199-209) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
An overlooked episode of vision's history -- Intimate vision: the portrait miniature's structure of address -- Gazing games: eye portraits and the two sexes of sight -- The crying image: the withdrawal of the gaze -- Intimate as extimate: the gaze as part-object -- The face becoming eye: portraiture's minimum -- The eye portrait's afterlife
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one's hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures--and their abrupt disappearance--reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject's gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched."--
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Eye in art-- History-- 18th century
موضوع مستند نشده
Gaze in art-- History-- 18th century
موضوع مستند نشده
Intimacy (Psychology) in art
موضوع مستند نشده
Portrait miniatures-- Europe-- History-- 18th century
موضوع مستند نشده
Visual perception in art
رده بندی کنگره
شماره رده
N8217
.
E9
شماره رده
N8217
.
E9
نشانه اثر
G76
2012
نشانه اثر
G76
2012
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )