عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TLpq2408818035
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Performing Fascism:
General Material Designation
[Thesis]
First Statement of Responsibility
Crisenbery, Elizabeth
Title Proper by Another Author
Opera, Politics, and Masculinities in Fascist Italy, 1935-1941
Subsequent Statement of Responsibility
Gilliam, Bryan
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Duke University
Date of Publication, Distribution, etc.
2020
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
249
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
Duke University
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
Roger Griffin notes that "there can be no term in the political lexicon which has generated more conflicting theories about its basic definition than 'fascism'." The difficulty articulating a singular definition of fascism is indicative of its complexities and ideological changes over time. This dissertation offers fascist performativity as a theoretical lens to better understand how Italian composers interacted with fascism through sustained, performative acts while leaving space to account for the slipperiness of fascist identities.
TOPICAL NAME USED AS SUBJECT
Fascism
Fascist Italy
Masculinities studies
Musicology
Opera
Performativity
PERSONAL NAME - PRIMARY RESPONSIBILITY
Crisenbery, Elizabeth
Gilliam, Bryan
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
