An Artistic Representation of Hair in Fashion Exhibition
Subsequent Statement of Responsibility
Font, Lourdes
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Fashion Institute of Technology, State University of New York
Date of Publication, Distribution, etc.
2020
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
218
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Body granting the degree
Fashion Institute of Technology, State University of New York
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
Fashion exhibition design and practices have steadily changed at the Metropolitan Museum of Art since The Costume Institute became a curatorial department in 1959. Looking back through snapshots of installation photographs it is clear to see that each exhibition reflects something different - or something similar - in aspects of mannequin type, styling, and placement. Yet it is not until 2006 that we see something extraordinary occur in the styling of wigs by Julien d'Ys for the exhibition AngloMania: Tradition and Transgression in British Fashion.
TOPICAL NAME USED AS SUBJECT
AngloMania: Transgression and Tradition in British Fashion