working, learning and organizing in a new media company
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
University of Manchester
Date of Publication, Distribution, etc.
2004
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
University of Manchester
Text preceding or following the note
2004
SUMMARY OR ABSTRACT
Text of Note
This thesis developed from various concerns and debates I have beenfollowing in the past few years in social and political theory, in particular thework of Ernesto Laclau with Chantal Mouffe, and that of Slavoj Zizek, andwhat I call the social theory of hegemony. It also concerns the debates in theacademic arena that go under the term of critical organisation andmanagement studies (COMS); in particular the questioning of traditionalepistemology, ontology and politics, for example, with the discursive turn, andthe critical realist "answer" to this questioning. And it also concerns research Ihave conducted for three years in a digital multimedia company in the north ofEngland.In this thesis I articulate all these terms in a way that engages with, andcontributes to, the discussion on new forms of working (project-basedteamwork) and organising (fluid, heterarchical and anarchic nature of work) inthe knowledge societies; subjectivity at work (including managerialsubjectivity) of highly committed professionals who are entrepreneurial, cool,creative and egalitarian but show how this is "not-all" by elaborating andunravelling on issues of resistance and consent at work.I articulate a position that by addressing politics of production as a questionand recuperating its most radical political inspiration, illustrates "what does notfit" - senseless signifiers that show the negativity and limit of social relations,signifiers that return to us the trauma and violence constituting the workplaceof our liberal capitalist democracies. More broadly, I argue for the im/possibleplace of the critique of ideology and the recuperation of illusion and fantasy aspolitical categories.