Includes bibliographical references (pages 223-258) and index.
CONTENTS NOTE
Text of Note
Cover -- Copyright -- Acknowledgments -- Figures -- Introduction Seduction, Resistance, and Redemption: 8220;Turning Turk8221; and the Embodiment of Christian Faith -- Chapter 1 Dangerous Fellowship: Universal Faith and its Bodily Limits in The Comedy of Errors and Othello -- Chapter 2 Recycled Models: Catholic Martyrdom and Embodied Resistance to Conversion in The Virgin Martyr and Other Red Bull Plays -- Chapter 3 Engendering Faith: Sexual Defilement and Spiritual Redemption in The Renegado -- Chapter 4 8220;Reforming8221; the Knights of Malta: Male Chastity and Temperance in Five Early Modern Plays -- Epilogue Turning Miscegenation into Tragicomedy (Or Not): Robert Greenes Orlando Furioso -- Notes -- Index.
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SUMMARY OR ABSTRACT
Text of Note
This book explores the theme of Christian conversion to Islam in 12 early-modern English plays by Shakespeare, Marlowe, Massinger and others. In these works, conversion from Christianity to Islam is represented as both erotic and tragic: as a sexual seduction and a fate worse than death. Degenhardt examines the theatre's treatment of the intercourse between the Christian and Islamic faiths to reveal connections between sexuality, race and confessional identity in early modern English drama and culture. In addition, she shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As Degenhardt compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals and the ideals of the Knights of Malta.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Source for Acquisition/Subscription Address
MIL
Stock Number
22573/cttk0rrr
Stock Number
289977
OTHER EDITION IN ANOTHER MEDIUM
Title
Islamic conversion and Christian resistance on the early modern stage.
International Standard Book Number
9780748640843
PERSONAL NAME USED AS SUBJECT
Islam-- Motiv-- Drama-- englisches.
TOPICAL NAME USED AS SUBJECT
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.
Islam in literature.
Islam-- Social aspects-- England-- History-- 16th century.
Muslim converts from Christianity.
Chrétiens convertis à l'islam.
Islam-- Aspect social-- Angleterre-- Histoire-- 16e siècle.
Islam dans la littérature.
Théâtre anglais-- 16e siècle-- Histoire et critique.
Bekering.
Drama-- englisches-- Motiv-- Islam.
DRAMA-- English, Irish, Scottish, Welsh.
Drama.
Engels.
Englisch.
English drama-- Early modern and Elizabethan.
Islam in literature.
Islam-- Social aspects.
Islam.
Islam.
Konversion.
Motiv.
Muslim converts from Christianity.
RELIGION-- Islam-- General.
Toneel.
GEOGRAPHICAL NAME USED AS SUBJECT
England.
Grossbritannien, Osmanisches Reich, Geschichte 16. Jh.
Osmanisches Reich, Grossbritannien, Geschichte 16. Jh.