Ethiopian Art: Christian Narratives from the Kebra Nagast
General Material Designation
[Thesis]
First Statement of Responsibility
Ellsworth, Morgan
Subsequent Statement of Responsibility
Pacifico, David
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
The University of Wisconsin - Milwaukee
Date of Publication, Distribution, etc.
2020
GENERAL NOTES
Text of Note
41 p.
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Body granting the degree
The University of Wisconsin - Milwaukee
Text preceding or following the note
2020
SUMMARY OR ABSTRACT
Text of Note
King Ezana declared Christianity as Ethiopia's state religion in 330 C.E. Ethiopia was the first country to mint a coin with the symbol of a cross. The Christian religion was established as a political move to strengthen economic ties with the Mediterranean world. Christianity has been used to keep Ethiopia independent. The Ethiopian artworks discussed here depict themes based on Christian narratives with multiple groupings of similar motifs and identical religious iconography. The Ethiopian art market still creates these motifs today to spread a repeated political message of the country's pride, history, and represent their rulers' legitimacy. I explore these religious messages by interpreting the artworks through Ethiopia's sacred text, the Kebra Nagast, which therefore presents the works in an Ethiopian context. The message is clear throughout these works: Ethiopian rulers are direct descendants of King Solomon, and therefore King David, and Ethiopia shall remain prosperous and victorious.