The Reinscription of Ancient Egypt in Modern Arabic Literature: Aḥmad Shawqī's Shayṭān Bintāʾūr Aw Lubad Luqmān Wa-Hudhud Sulaymān (the Demon of Pentaur or the Eagle/Vulture of Luqmān and the Hoopoe of Solomon) (1901)
General Material Designation
[Thesis]
First Statement of Responsibility
Mohamed, Aya
Subsequent Statement of Responsibility
Stetkevych, Suzanne P.
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Indiana University
Date of Publication, Distribution, etc.
2019
GENERAL NOTES
Text of Note
307 p.
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
Indiana University
Text preceding or following the note
2019
SUMMARY OR ABSTRACT
Text of Note
In this dissertation, I revisit the literary-cultural movement known as Pharaonism (al-Firʿawniyyah). Despite his thematic foregrounding of ancient Egypt, the foundational role of the great Neoclassical poet Aḥmad Shawqī (1869-1932) in Pharaonism is often sidestepped. Following the lead of Suzanne Stetkevych's structural reading of the Arabic qaṣīdah, I argue that this evasion is attributable to the underestimation of the ritual structure informing Shawqī's literary corpus. Paying special focus to the sui generis and highly cryptic work, Shayṭān Bintāʾūr aw Lubad Luqmān wa-Hudhud Sulaymān (1901), I demonstrate how it encompasses the climactic 'epiphany' through which the essence of Shawqī's Pharaonist message is most clearly communicated.