Cambridge studies in Renaissance literature and culture ;
Volume Designation
21
GENERAL NOTES
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Based on the author's thesis (Ph. D.)--Columbia University.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
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Includes bibliographical references (pages 195-208) and index.
CONTENTS NOTE
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1. Introduction -- 2. The homoerotics of marriage in Ovidian comedy -- 3. The homoerotics of mastery in satiric comedy -- 4. The homoerotics of favoritism in tragedy -- 5. The homoerotics of masculinity in tragicomedy.
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SUMMARY OR ABSTRACT
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This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores. DiGangi examines distinctions between orderly and disorderly forms of homoerotic practice in both canonical and unfamiliar texts. In these readings, the various proliferating forms of homoeroticism are indentified in relation to sodomy, against which there were cultural and legal prohibitions in the period. DiGangi's study illuminates, through a diverse range of plays, the centrality of homoerotic practices to household, court and city life in early modern England.
OTHER EDITION IN ANOTHER MEDIUM
Title
Homoerotics of early modern drama.
International Standard Book Number
0521583411
TOPICAL NAME USED AS SUBJECT
English drama-- 17th century-- History and criticism.
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.