Includes bibliographical references (pages 185-195), discography (p. 197) , and index.
CONTENTS NOTE
Text of Note
Feminist aesthetics in music -- Music in context and practice -- The power of sound, the power of sex: Alma Schindler-Mahler's Ansturm -- Sexing the subject of musical analysis: Rebecca Clarke and Elisabeth Lutyens -- Meditations on feminist aesthetics: Anne Boyd's Cycle of love -- Framing the case for a feminist reading of Elena Kats-Chemin's postmodern Tast-en -- Sexual signatures: feminist aesthetics in the music of Moya Henderson after the death of the author -- This music which is between two.