War literature, bearing witness, and the problem of sacralization : trauma and desire in the writing of Mary Borden and others / Max Saunders -- Spectres of the past, inhabitations of the present : Jochen Gerz and the problem of commemoration / Jonathan Kear -- Representing the extreme : reminiscences of Nazi Germany in Tras el cristal / Camila Loew -- Film and war imaginary : the Hollywood Combat and cultural memory of World War II / Sara Pesce -- "God's playground" : Poland and the Second World War in Wajda's cinema / Gabriella Elina Imposti -- Chasms of silence : the Luftkrieg in German literature from a reunification perspective / Raul Calzoni -- Death and mourning in the memory of World War I in Italy / Oliver Janz -- The dead hero, the dead body : anti-epic and research of meaning in the fictional representation of World War II / Alberto Casadei -- Taricco's memory / Roberto Bigazzi.
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Wars we have seen : literature as a medium of collective memory in the "age of extremes" / Astrid Erll -- Writing as testimony in the European narrative after the First and Second World Wars / Vita Fortunati -- Memory and repression : psychiatric sources and the history of modern wars / Antonio Gibelli -- The world wars and the history of Italy : public, shared and disputed memories / Alberto de Bernardi -- Urban toponymy, cultural memory and the world wars / Roberto Balzani -- Contaminated memory in Günter Grass' My century : literary and journalistic accounts on war / Cesare Giacobazzi -- The experience of war and the search for identity in US narratives of World War I and World War II / Elena Lamberti -- "Strange growths" : the world wars as agents and markers of change in women's writing / Daniela Fortezza -- War in women's experience and writing / Annamaria Lamarra -- "I hear sounds of Spain" : foreign women writers and the Spanish Civil War / Arancha Aránzazu Usandizaga.
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SUMMARY OR ABSTRACT
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The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.