Includes bibliographical references (pages 171-202) and index.
CONTENTS NOTE
Text of Note
Wiretapping the beast: radio, hyperspatiality, and a new network for art -- Between military innovation and government sanction: early German radio and the experimental -- Don't touch that dial: transmitting modes of experimentation from Weimar to postwar West Germany -- Opening the radio up: tactical media and alternative networks -- Coda: the longevity of radio and the impermanence of sound.
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SUMMARY OR ABSTRACT
Text of Note
Since the rise of film and television, radio has continued to evolve and any understanding of the development of radio depends on closely examining the artistic ventures that preceded commercial acceptance. Daniel Gilfillan offers a cultural history that explores these aspects of the medium by focusing on German radio broadcasting, providing a context that sees beyond programming to consider regulations, cultural politics, and social standardization.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/cttbmzrn
OTHER EDITION IN ANOTHER MEDIUM
Title
Pieces of sound.
International Standard Book Number
9780816647712
TOPICAL NAME USED AS SUBJECT
Experimental radio programs-- Germany-- History and criticism.
Radio broadcasting-- Germany-- History-- 20th century.