editors, Carol Margaret Davison and Marie Mulvey-Roberts.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Cham, Switzerland :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
2018.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xxvi, 344 pages) :
Other Physical Details
illustrations
SERIES
Series Title
Studies in Global Science Fiction
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Intro; Dedication; Foreword; Acknowledgements; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: Global Reanimations of Frankenstein; Works Cited; Part I: Frankenstein: Science, Technology, and the Nature of Life; Chapter 2: The Gothic Image and the Quandaries of Science in Mary Shelley's Frankenstein; Works Cited; Chapter 3: Paracelsus and 'P[r]etty Experimentalism': The Glass Prison of Science and Secrecy in Frankenstein; 'A Bird's Eye View of Your Heart': Godwin's Sentimental Education; Victor Frankenstein: Vision Versus Experiment.
Text of Note
Chapter 10: Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral ZombieContemporary Frankenstein Film Adaptations; Viral Zombies as Frankensteinian Dispersions; Works Cited; Part IV: Frankensteinian Illustrations and Literary Adaptations; Chapter 11: Frankenstein and the Peculiar Power of the Comics; The Monsters of Literature and Cinema; The Monster in Pictures; Words, Images and the Endless Life of a Monster; Works Cited; Chapter 12: Our Progeny's Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels.
Text of Note
Chapter 7: Monstrous, Mortal Embodiment and Last Dances: Frankenstein and the BalletWorks Cited; Part III: Spectacular Frankensteins on Screen and Stage; Chapter 8: 'Now I Am a Man!': Performing Sexual Violence in the National Theatre Production of Frankenstein; Works Cited; Chapter 9: The Cadaver's Pulse: Cinema and the Modern Prometheus; Montage and the Creation of New Life; Early Frankenstein: Cutting the Narrative and Re-cutting the Film; Whale's Frankenstein and Bride of Frankenstein; Transnational Frankenstein; Found Footage Frankenstein; Works Cited.
Text of Note
Paracelsus and Neoplatonic TraditionWorks Cited; Chapter 4: Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein; Works Cited; Part II: Frankenstein and Disabled, Indecorous, Mortal Bodies; Chapter 5: 'The Human Senses Are Insurmountable Barriers': Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein; 'A Manuscript Found in a Madhouse' (1829); Young Frankenstein (1974); 'The Crimson Horror, ' Doctor Who (2013); Works Cited; Chapter 6: 'We Sometimes Paused to Laugh Outright': Frankenstein and the Struggle for Decorum; Works Cited.
Text of Note
Works CitedChapter 13: Beyond the Filthy Form: Illustrating Mary Shelley's Frankenstein; The (Illustrated) Redemption of a Forsaken Creature; 'My Own Vampire ... Let Loose from the Grave'; The Wildest Dreams; 'A Filthy Type of Yours'; 'I Bid My Hideous Progeny Go Forth and Prosper'; Frankenstein's Illustrated Editions; Works Cited; Part V: Futuristic Frankensteins/Frankensteinian Futures; Chapter 14: The Frankenstein Meme: The Memetic Prominence of Mary Shelley's Creature in Anglo-American Visual and Material Cultures; What's in a Meme?; Prometheus, Automata, and the Proto-Frankenstein.
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ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Springer Nature
Stock Number
com.springer.onix.9783319781426
OTHER EDITION IN ANOTHER MEDIUM
Title
Global frankenstein.
International Standard Book Number
9783319781419
PERSONAL NAME USED AS SUBJECT
Frankenstein, Victor
Frankenstein's Monster
Shelley, Mary Wollstonecraft,1797-1851-- Characters.
Shelley, Mary Wollstonecraft,1797-1851., Frankenstein.