Intro; Dedication; Preface; Contents; Chapter 1: Introduction; Unseeing, Audibility, and Logos; Deleuze and Kierkegaard: Repetition and Unseeing; Logos, Ethics, Faith, and God; The Audible Faculty in Repetition; References; Texts Cited; Chapter 2: Unseeing; Problems of Language and Representation; Film Semiology and Its Structures; Deleuze's "Utterable"; Sound Theory and the Hegemony of the Material Image; Unseeing: Deterritorializing Space, Reterritorializing Time; The Matrix of Events; An Immanent Gathering; References; Texts Cited; Films Cited; Chapter 3: Logos of Cinema
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Malick's VoicesRupturing the Authority of the Voice; References; Texts Cited; Films Cited; Chapter 6: Listening to the Logos; Hearing that Listens; Listening that Continues to Hear; The Thin Red Line: Listening for the Now; The New World: Listening to Meaning; Tendere and Tension; The Tree of Life: Listening Beyond Memory; The Act of Transferring and the Limits of Logos; Malick's Ethics: A Time of Forgiveness; References; Texts Cited; Films Cited; Chapter 7: Continuer; References; Texts Cited; Index
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Mixing: The Process of DifferentiationAudible Differentiation in Malick; A Heraclitean Lesson; First: Hearing; Second: Listening; Third: Nomos; References; Texts Cited; Films Cited; Chapter 5: Malick's Temporal Shift; Repetition and Coexistence: Malick's Expressions of Immanence; Cinematic Leaps in Time; Dreaming and the In-Between; Malick's Time and Becoming; Fragments of Unseeing: The Thin Red Line Through The Tree of Life; Pages of a Life: Memory and Dreams in Coexistence; After The Tree of Life: Adrift in the Repetitions of Habit; Narration: Layering Time, Speaking the Unspoken
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The Transcendental Immanence of ThoughtA Cinematic Empathy; Beyond the Audiovisual: New Dimensions in Unseeing; Audible Threads: Subjectivity, Madness and the Fold; "Life Within the Folds"; Kierkegaard's Anxiety of Subjectivity; Opening Unseeing to the Crystalline and the Hodological; From Simultaneity to Coexistence; Coppola's The Conversation: Simultaneity and Crystalline Audibility; Terrence Malick's Logos; Malick's Expressions of Nature; Creating the New from the Past; Cinema as Logos; References; Texts Cited; Films Cited; Chapter 4: Days of Heaven and Hell
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SUMMARY OR ABSTRACT
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This unique study opens up a new dimension of Terrence Malick?s cinema? its expressions of unseeing and hearing.?Unseeing? is Malick?s means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, the book moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Søren Kierkegaard. It investigates how Malick?s gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Springer Nature
Stock Number
com.springer.onix.9783319764214
OTHER EDITION IN ANOTHER MEDIUM
Title
Terrence Malick?s unseeing cinema. Memory, time and audibility.
International Standard Book Number
9783319764207
PERSONAL NAME USED AS SUBJECT
Malick, Terrence,1943-Criticism and interpretation.
Malick, Terrence,1943-
TOPICAL NAME USED AS SUBJECT
Motion picture producers and directors-- United States.