National identity and nineteenth-century Franco-Belgian sculpture /
General Material Designation
[Book]
First Statement of Responsibility
Jana Wijnsouw.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York, NY :
Name of Publisher, Distributor, etc.
Routledge,
Date of Publication, Distribution, etc.
2018.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource.
SERIES
Series Title
Routledge research in art history
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
SUMMARY OR ABSTRACT
Text of Note
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less-studied field of sculpture and using Belgium as a case study. The role, importance of and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists, that supposedly constituted a 'national sculpture.' By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugene Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
OTHER EDITION IN ANOTHER MEDIUM
Title
NATIONAL IDENTITY AND NINETEENTH-CENTURY FRANCO -BELGIAN SCULPTURE.
International Standard Book Number
1138712515
TOPICAL NAME USED AS SUBJECT
Nationalism and art-- Belgium.
Sculpture, Belgian-- French influences-- 19th century.