عنوان

Transnational frontiers :

(Number (ISBN

0806160039

(Number (ISBN

9780806160030

Title Proper

Transnational frontiers :

General Material Designation

[Book]

Other Title Information

the American West in France /

First Statement of Responsibility

Emily C. Burns.

Place of Publication, Distribution, etc.

Norman :

Name of Publisher, Distributor, etc.

University of Oklahoma Press,

Date of Publication, Distribution, etc.

[2018]

Date of Publication, Distribution, etc.

©2018

Specific Material Designation and Extent of Item

xi, 231 pages :

Other Physical Details

illustrations (some color), maps ;

Dimensions

28 cm.

Series Title

The Charles M. Russell Center series on art and photography of the American West ;

Volume Designation

volume 29

Text of Note

Includes bibliographical references (pages 211-222) and index.

Text of Note

When Buffalo Bill's Wild West show traveled to Paris in 1889, the New York Times reported that the exhibition would be managed to suit French ideas. But where had those French ideas of the American West come from? And how had they, in turn, shaped the notions of "cowboys and Indians" that captivated the French imagination during the Gilded Age? Emily C. Burns maps the complex fin-de-siècle cultural exchanges that revealed, defined, and altered images of the American West. This visual history shows how American artists, writers, and tourists traveling to France exported the dominant frontier narrative that presupposed manifest destiny -- and how Native American performers with Buffalo Bill's Wild West and other traveling groups challenged that view. Many French artists and illustrators plied this imagery as well. At the 1900 World's Fair in Paris, sculptures of American cowboys conjured a dynamic and adventurous West, while portraits of American Indians on vases evoked an indigenous people frozen in primitivity. At the same time, representations of Lakota performers, as well as the performers themselves, deftly negotiated the politics of American Indian assimilation and sought alternative spaces abroad. For French artists and enthusiasts, the West served as a fulcrum for the construction of an American cultural identity, offering a chance to debate ideas of primitivism and masculinity that bolstered their own colonialist discourses. By examining this process, Burns reveals the interconnections between American western art and Franco-American artistic exchange between 1865 and 1915.

Parallel Title

American West in France

Buffalo Bill's Wild West Show-- Influence.

Buffalo Bill's Wild West Show.

Indians of North America-- Material culture-- West (U.S.)

Lakota Indians-- France.

Civilization-- American influences.

Civilization.

Indians of North America-- Material culture.

Influence (Literary, artistic, etc.)

International relations.

Lakota Indians.

France, Civilization, 1830-1900.

France, Civilization, 1901-1945.

France, Civilization, American influences.

France, Relations, United States.

United States, Relations, France.

West (U.S.), In art.

France.

United States.

West United States.

0

0

0

0

0

0

7

7

7

Number

Edition

Class number

Book number

Burns, Emily C.

Date of Transaction

20200822132228.0

Cataloguing Rules (Descriptive Conventions))

rda

Electronic name

[Book]

Y