NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-321-73133-0
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
Art History
Body granting the degree
Arizona State University
Text preceding or following the note
2015
SUMMARY OR ABSTRACT
Text of Note
Shirin Neshat is recognized as the most prominent artist of the Iranian diaspora. Her two photographic series, Women of Allah (1993-97) and The Book of Kings (2012), are both reactions to the socio-political events and the change of female identity in Iran. The search for Iranian identity has a long tradition in Iranian photography. Neshat's figures, with their penetrating gazes, heavy draperies, and body postures, make reference to nineteenth-century Qajar photography. Through various cultural elements in her artworks, Neshat critiques oppression in Iranian society. Neshat employs and inscribes Persian poetry to communicate contradiction within Iranian culture.
TOPICAL NAME USED AS SUBJECT
Art Criticism; Art history
UNCONTROLLED SUBJECT TERMS
Subject Term
Communication and the arts;Identity;Iran;Iranian diaspora;Iranian identity;Neshat, Shirin;Photography